• Julia Thecla
    Julia Thecla
    Ceremony with White Cat Hat
    1961
    tempera, charcoal, and graphite on Strathmore board
    15 x 10 inches

  • Julia Thecla
    Untitled
    1950s
    tempera, colored pencil, and fumage on paper
    12 x 10 inches

  • Julia Thecla
    Gargoyles and Others
    1954
    tempera, charcoal, and fumage on paper
    5 x 13 1/2 inches

  • Julia Thecla
    Cave Entrance
    1955
    tempera, charcoal, and black ink on paper
    11 x 14 inches

  • Gertrude Abercrombie
    Head on a Plate
    1936
    oil on composition board
    14 x 17 1/2 inches

  • Gertrude Abercrombie
    Untitled
    1956
    oil on panel
    7 3/8 x 9 1/2 inches


PRESS RELEASE

 

 An opening reception will be held at the gallery on Friday, May 17, from 5:00-8:00pm.

 

In the West Wing, Corbett vs. Dempsey presents two venerable figures in the history of Midwestern surrealism: Gertrude Abercrombie and Julia Thecla. Abercrombie is perhaps the best known painter in this mode, having issued legions of brilliant small paintings from her home studio in Hyde Park from the 1930s until her death in 1977.  Classic Abercrombies are often set in the flat Illinois landscape, with spare trees and lonely buildings and an occasional figure.  In this presentation, an exceptional early work, Head on a Plate (1936), features a black cat and a self-portrait, decapitated and, per title, head served on a platter. More obscure but no less ferociously inventive, Thecla was genuinely odd, and her paintings reflect her wonderful, weird take on the world, which includes animated satellites arrayed in galactic clusters and bizarre creatures cavorting playfully.  Included will be one of Thecla’s rare fumage paintings, which utilizes candle soot as a ground for the figures.