NEW YORK – The Seam, the Fault, the Flaw at Greenspon Gallery was reviewed in Art Critical magazine.

Cohen writes, “A more tender touch – from artist and lovers alike – emerges from the bathhouse drawings, especially an exquisite drawing in watercolor pencil of a guy feeding his partner poppers where hastily scribbly yet resolved hieratic heads, very redolent of early Hockney, dissipate into fey and stylized lower limbs in a way that mimics, perhaps, the clarifying rush and melting away effects of the narcotic.”

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