CHICAGO –  Arturo Herrera’s recent exhibition at Corbett vs. Dempsey reviewed in Art in America. 

Ara H. Merjian writes, “Venezuela-born, Berlin-based artist Arturo Herrera breathes life into well-worn practices of modernist collage, exploring the tensions between exactitude and spontaneity, placement and displacement. As chameleonic as he is consistent, he also plies such tensions in many other mediums, ranging from wall painting to screen prints to stainless steel relief and glass sculpture. This latest show featured a few recent series that employed different formats, scales, and materials yet shared some common tropes—most notably, the playful, partial occlusion of figurative imagery by nonobjective forms, and motifs concerning modern dance and the body’s movement in space

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