Corbett vs. Dempsey

Robert Lostutter
Early Girls
Watercolors 1968 - 1973

December 5, 2008 - January 3, 2009
Opening reception December 5, 2008

Corbett vs. Dempsey is pleased to present an exhibition of early watercolors and drawings by Chicago artist Robert Lostutter. Lostutter is best known for his brightly colored paintings of mysterious male figures wearing elaborate feathered and flowered masks. However, in the late 1960s and early 1970s Lostutter produced a number of small watercolors and drawings of female subjects where he began to explore many of the elements seen in his later paintings. Inspired by Richard Lindner's practice of taking trips to Bloomingdale's and watching women self-consciously trying on clothes, the girls in these watercolors share both the fascination with costume that would come to characterize Lostutter's later work, and the preoccupation with complicated undergarments held by many of his Imagist colleagues. In contrast to the overt imagery of the women and their clothing, Lostutter also introduces ambiguous surreal elements like a bizarre floating gloved hand, dancing zaps and splashes that are made three-dimensional, and strategically placed, exuberantly blooming flowers.

Lostutter often made these works on paper in preparation for larger paintings on canvas. This exhibition is a window into his meticulous composition process, and one of the resulting large-scale paintings will be exhibited alongside its preparatory watercolors. Lostutter's watercolors were the subject of a solo exhibition at the Renaissance Society in 1984 and his work has been included in group shows at the Museum of Contemporary Art Chicago, the Terra Museum of American Art, and the Corcoran Gallery.

The exhibition is accompanied by a 60 pp., full color catalog.

More works by Robert Lostutter.

In the East Wing

Sarah Canright
Paintings 1968 - 1969

In the East Wing, Corbett vs. Dempsey is excited to show a handful of paintings by Sarah Canright, all made in 1968 and 1969. One of the great abstract painters associated with the Chicago Imagist tradition, Canright hit her stride in the late 1960s. This exhibition includes a series of her increasingly pale, subtle oils shown in the second of two Nonplussed Some exhibits at the Hyde Park Art Center in 1969, alongside her husband Ed Flood, Ed Paschke, Richard Wetzel, and curator/artist Don Baum. Forty years later, they're still as fresh and mysterious as ever.

More works by Sarah Canright.

Select Press Coverage for Robert Lostutter, Early Girls