Peter Brötzmann Cloudbox 2006 presswood, sponge, and metal assemblage 17 x 11.5 x 4 inches
Peter Brötzmann Ohrstopsel 1968 Wax, wood, and earplugs 5 x 4 x 2 inches
Peter Brötzmann Sound Cloud 1970's Metal and wood assemblage 7 x 11.5 x 4 inches
Peter Brötzmann Two Windows 1982 brass and wood assemblage 10.5 x 12 x 2 inches
Peter Brötzmann Rubber Zep in the Dunes 1975 oil and rubber on wood construction 10 x 16 x 6 inches
Peter Brötzmann Roter Zylinder 1995 wood, metal, paint 12 x 14.5 x 4 inches
Peter Brötzmann Aurora (diptych) 2004 oil on wood construction 19 x 24 cm (each)
Peter Brötzmann Metal Collage 1963 metal on wood 18 x 36 x 4 cm
Peter Brötzmann Shoebox 1988 aluminum, paper, feather 19 x 32 x 10 cm
Peter Brötzmann Weird Landscape 1976 kitchen sponge, lead, wood 14 x 19 x 5 cm
Peter Brötzmann Untitled 1971 plastic and oil on wood 16 x 26 cm
Peter Brötzmann Small Collages a + b 1962 plastic, paper, tin, and oil 23 x 22 cm (each)
Peter Brötzmann Metallbild 1961 metal on wood 46 x 24 cm
Peter Brötzmann Metallbild 1961 various metals on wood 46 x 24 cm
Peter Brötzmann Metallbild 1963 metal on wood 21 x 33 x 4 cm
Installation shot
Installation shot
Installation shot
Installation shot
Installation shot
Installation shot
Exhibition Catalog:
Related Catalogs:
Peter Brötzmann: Graphic: Design Work, 1959–2013
Peter Brötzmann: Left / Right
Peter Brötzmann: Wood & Water
Related Exhibitions:
Peter Brötzmann: Left / Right (2013)
Peter Brötzmann: Wood & Water (2010)
Peter Brötzmann Metal & Wood - Constructions 1963-2004 (2007)Related Record:
PRESS RELEASE
Renowned internationally as a musician, saxophonist and clarinetist Peter Brötzmann has maintained a parallel life as a visual artist. His first exhibitions took place in Europe during the early 1960s, when he also worked with Nam June Paik and participated in Fluxus events. His efforts as a painter and fabricator of objects have been featured in periodic exhibitions, including a 2005 retrospective in Remscheid, Germany, and a show of very early works in Chicago two years prior. This is the first major survey of Brötzmann’s recent work in the U.S., featuring large format works on canvas and small scale assemblages, as well as an assortment of older pieces.