oil on canvas on panel
16 x 20 inches
oil on canvas on panel
11 x 14 inches
Rebecca Shore 09 2011 distemper on panel 12” x 12 inches
Rebecca Shore 03 2011 distemper on panel 11 x 14 inches
Rebecca Shore 10 2010 oil on canvas 30 x 45 inches
Rebecca Shore 11 2010 oil on canvas on panel 11 x 14 inches
Rebecca Shore 11 2011 distemper on panel 11 x 14 inches
Rebecca Shore 02 2011 oil on canvas 30 x 45 inches
Rebecca Shore 12-G 2010 gouache on paper 7 x 8 inches
Rebecca Shore 01-G 2011 gouache on paper 16 x 18 inches
Rebecca Shore 08 2011 distemper on panel 14 x 16 inches
Rebecca Shore 12 2011 distemper on panel 24 x 24 inches
Rebecca Shore 13 2011 distemper on panel 25 x 31 inches
Rebecca Shore 14 2011 distemper on panel 11 x 14 inches
Rebecca Shore 17 2011 distemper on panel 16 x 18 inches
Rebecca Shore 19 2011 oil on canvas 18 x 20 inches
Rebecca Shore 20 2011 distemper on panel 18 x 16 inches
Rebecca Shore 21 2011 oil on canvas 30 x 42 inches
Rebecca Shore 22 2011 oil on linen 40 x 46 inches
Rebecca Shore: Barely Committed to Three Dimensions
Rebecca Shore: AEiOU (and sometimes why)
Ray Yoshida: Ray Yoshida and his Spheres of Influence (includes work by Rebecca Shore) (2010)
For her second solo show at Corbett vs. Dempsey, Rebecca Shore has created an exciting new body of work that continues her exploration of the malleability of forms.
In paintings executed in oil and gouache, as well as distemper (a liquid paint using rabbit skin glue as a binding agent), she assembles and arranges specific images into small collections, each object an image drawn from Shore’s huge trove of working materials. Some of these silhouetted images are immediately recognizable – a bonnet, hair, a deer, a sofa – while others are opaque and abstract, their point of origin rendered mysterious and allusive. The play of connotations between these collected images, fastidiously painted on luminous, painterly backgrounds, invites the viewer to imagine relationships and parse identities. At once a master formalist and a semiotic wizard, Shore has pushed her practice to a brilliant and unfamiliar new place, a tremulous zone where objects and images are not always what they seem.
All In One is held in conjunction with Eight Modern Gallery, Santa Fe, who are mounting a concurrent exhibition of her work.
A 72 page comprehensive catalog with images from both All In One exhibitions and a conversation between Shore and John Corbett is available.