CHICAGO – David Hartt: The Republic reviewed in The Seen.
Hairy Who & The Chicago Imagists
Tue, May 20, 2014, 6–8:30 pm
Join us for the Chicago premiere screening of the Hairy Who & The Chicago Imagists, followed by a post-screening discussion with director Leslie Buchbinder, curator Lynne Warren, and special guests (to be announced soon).
In the mid 1960s, the city of Chicago was an incubator for an iconoclastic group of young artists. Collectively known as the Imagists, they were shown in successive waves of exhibitions with monikers that might have been psychedelic rock bands of the era—Hairy Who, Nonplussed Some, False Image, Marriage Chicago Style. Kissing cousins to the contemporaneous international phenomenon of pop art, Chicago Imagism took its own weird, wondrous, in-your-face approach. Variously pugnacious, puerile, graphic, comical, and absurd, it celebrated a very different version of “popular” from the detached cool of New York, London, and Los Angeles.
From Jim Nutt’s cigar-chomping, amputated women to Christina Ramberg’s studies of corsetry and bondage; from Barbara Rossi’s bejeweled dot paintings to Roger Brown’s secretive, silhouetted figures in windows; Chicago’s diverse artists followed no trend, preferring a path they ferociously cleared for themselves. Hairy Who & The Chicago Imagists tells the story of the artists that emerged from the catalyzing exhibitions at the Hyde Park Art Center from 1966–73, starting with the Hairy Who, who would come to be known as the Chicago Imagists. It brings to life the milieu of Chicago in the 1960s, and also showcases the legacy of the Imagists’ work in contemporary art production today, from Jeff Koons to Chris Ware. Themes in the narrative include the Imagists’ emergence within the national context of abstract expressionism and pop art, the rise and fall of taste within art history, and the uncharacteristic equality afforded to women artists among this Chicago group.
Hairy Who & The Chicago Imagists is the first film to tell this wild, woolly, utterly irreverent tale. Over 40 interviews with the artists and a prominent group of critics, curators, collectors, and contemporary artists are featured, intertwined with a wealth of rediscovered archival footage and photographs. The film is narrated by Chicago theater legend Cheryl Lynn Bruce, and propelled by an original score for cello and voice composed by Tomeka Reid.
For more information on the film.
Wednesday, March 19, 2014 at 7:00 pm
Cannonball, 1035 North Miami Avenue, Miami, FL 33136
***Free and open to the public***
Molly Zuckerman-Hartung is a painter in constant confusion. She puts it back into the frame so she can keep the uncontrollable in sight. Affect, speed, love, touch, and language and/or its absence are hearsed and rehearsed. As evidence, remnant, and experience, paintings are hung on walls, in spaces. These walls and spaces provide context (public, market, sign, discourse et al) and change the meaning of the work fundamentally. Coping with that change is the work which produces confusion. She asserts that this is the value of painting. Included in this year’s Whitney Biennial, Zuckerman-Hartung is a Visiting Artist-in-Residence at Cannonball. Born in Los Gatos, CA, in 1975, Molly Zuckerman-Hartung lives and works in Chicago. She received an MFA from the School of the Art Institute of Chicago in 2007, where she now teaches and is co-founder of Julius Caesar Gallery, an artist-run exhibition space in Chicago. Her work has been featured in solo exhibitions at Anna Kustera, New York; Museum of Contemporary Art, Chicago; Kadel Willborn, Karlsruhe, Germany; and Rowley Kennerk, Chicago. She is represented by Corbett vs. Dempsey in Chicago.
For more information about the artist, please visit her website.
For more details about this event, please contact us at firstname.lastname@example.org or 786.347.2360.
About the venue:
Based in downtown Miami, Cannonball is a non-profit arts organization known for its advocacy and innovative programs supporting today’s artists. Core initiatives include: SeminArt, providing free educational and professional development services to artists; LegalLink, an in-house legal advice and referral service for artists and arts organizations; and the Residency Program, which offers long-term live/work space for local artists and short-term residencies for visiting cultural producers.
Cannonball is supported, in part, by The Andy Warhol Foundation for the Visual Arts, Harpo Foundation, the John S. and James L. Knight Foundation, Miami-Dade County Department of Cultural Affairs, and the National Endowment for the Arts.
LONDON – Joyce Pensato opens a solo exhibition, Joyceland, at London’s Lisson Gallery, through May 10, 2014.
LOS ANGELES – Rebecca Morris presents new paintings on canvas and paper at LA><ART, through April 26th.